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EOS 7D, NJ, and the Blizzard

Journal Entry: Sun Dec 20, 2009, 12:55 AM
New Equipment


I finally got a new camera, it's a Canon EOS 7D. Although I've been completely snowed in for 24 hours and haven't gotten to really shoot it outdoors yet, so far I'm very pleased. I seriously haven't been this excited about something in a long time. The high ISO capabilities of this camera have blown me away. Along with 8 frames per second, 18 megapixels and a new complicated but incredible focusing system, this has got to be one of the best wildlife cameras ever made.

Here are some photos of it I took earlier:




BLIZZARD


If you haven't heard, much of the eastern seaboard is currently getting hit with a huge winter storm. I'm currently home in New Jersey, and the last time I checked outside, we had well over two feet of snow on the ground and it's still falling. Rumor has it that we could be close to 3 feet by morning. Along with sporadic 50 mph wind gusts, lighting, and thunder, we can call this a real blizzard.

Change of Scenery


Last week, I officially graduated from college. I'm home in New Jersey and won't be going back up to Massachusetts for about a month. It will nice to get out of the city for awhile. I plan on shooting as much as possible while I'm home.

  • Mood: Content

The Phantom of the Marsh

Journal Entry: Wed Dec 16, 2009, 10:43 PM
The Phantom of the Marsh


I’m going to start writing journals on specific species of animals with interesting behaviors.

The American Bittern is an incredibly secretive heron that at one time of the year or another, can technically be spotted in nearly every corner of North America. Most people however, will never see this elusive species. Even the most experienced birdwatchers have trouble with this bird, and sometimes go many years at a time without seeing one. The American Bittern can be found in thick fresh or saltwater marshes, and is active at dawn, dusk, and most of all, throughout the night.

The most amazing thing about the American Bittern is its response when a predator is nearby. The second a Bittern spots a possible predator (or photographer), it completely freezes. It then makes its body as thin as it possibly can, and sticks its long skinny beak towards the sky, in order to make itself look like one of the reeds surrounding it. Then it begins to sway slowly back and forth with the reeds as they move with the wind, even trying to match the wind speed!

The call of an American Bittern is, in my opinion, one of the most chilling animal sounds of summer nights. It is incredibly resounding, and when there are a few birds calling back and forth, the sound seems to come from all around you. You can hear it here - [link]

Next time you're in a marsh and there doesn't seem to be much wildlife around, be aware: there may be a Bittern watching you, swaying with the breeze.


Marsh Ghost by *
juddpatterson


American Bittern by ~
jsegraves99

  • Mood: Content

No Boundaries

Journal Entry: Tue Dec 8, 2009, 10:38 AM


The way the Nature photography gallery is set up here on deviantART with truly wild animal photographs mixed right in with zoo animals, rehabilitation center animals, falconry birds, and other captive animals is flawed. Its not fair for someone looking for true wild animals in true wild environments. When you open up the newest photographs submitted in the "wild" animals gallery, you'll quickly notice most of the animals aren't wild. While writing this journal, I tried myself, and aside from a few miscellaneous insects and a duck or two, all the images on the front page of new photographs were of zoo animals. I'm not saying these photographs are in the wrong gallery, because the current policy allows for inclusion of zoo animals into the wild animals category. In order to combat this problem, *Iamidaho, myself and many others have been working on a group idea for quite some time, and now it is finally up and running. #freetoroam aims to become a hub on deviantART for images of truly wild creatures in their natural environment exhibiting natural behavior. If you're interested in wildlife photography I urge you to become and member and/or watch the group, as in the near future we will be featuring wildlife photographers, featuring specific images, outlining current topics and debates regarding the preservation of wildlife and its environment, and many other important things. The group guidelines and standards are on the main page here - #freetoroam :iconfreetoroam:. We are excited for the places we hope this group can go.

Join us!

Here are a few examples of shots that have already been submitted:

from *Ian-Plant
from *eaross
from *Nzeman
from *tourofnature
from *Iamidaho

  • Mood: Pride

Updates

Journal Entry: Fri Nov 20, 2009, 3:29 PM
Rare Bird


This past Tuesday, a local bird watcher named Paul Peterson located a McGillivray's Warbler in the Back Bay Fens. This is a west coast species, and has only been recorded in Massachusetts on 13 previous occasions. I quickly went to the fens on Tuesday, but came up empty. I did however, find it on Wednesday, and again on Thursday. I managed to capture a few poor quality photographs of the McGillivray's Warbler on both days. The McGillivray's was a life bird for me, which was very cool. As of 3:15 this afternoon the McGillivray's was still present in the Back Bay Fens, and if any birders want to make the trek out you can note me and I'll give you directions to the spot. My photos are below, and although they are huge crops and hardly printable, I'm still very excited about this bird. It represents the 14th Massachusetts state record of the species.

MacGillivray's Warbler MacGillivray's Warbler MacGillivray's Warbler



New Gear


Within the next month or so, I'm going to be getting a new Canon EOS 7D body. I am so excited about this, and can't wait to start using about it. 8 frames per second, 18 megapixels on a cropped body??? This has got to be the best bird photography camera ever made. I can't stop thinking about it, and am counting down the days.




Very Important Journal


I won't get into the details here, but when you have a minute, seriously go check out ;deviamidaho:'s most recent journal here - [link]

The facts surrounding this event are absolutely sickening.

  • Mood: Neutral

Don't Push it - Wildlife Photography Ethics

Journal Entry: Mon Sep 21, 2009, 6:03 AM
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Wildlife Photograph Ethics


This is a journal I have wanted to write for awhile, and I finally found the time to do it.

:bulletred: Wildlife Photography - There are many reasons wildlife photography is so addictive and fulfilling. We love the challenge of locating and successfully photographing the wildlife, and we love nature and the wildlife in it. Wildlife photography can be the most rewarding medium one minute, and then the most frustrating and disappointing the next. Some days yield no useable photographs, while some yield twenty. Wildlife photography takes studying locations and the species within them, and little to no sleep.




:bulletred: Your Responsibility - Giving yourself the opportunity to photograph creatures normally not seen by many people, comes with an important responsibility, a responsibility to have little to no impact on the wildlife while photographing them. We are out there to enjoy these animals in their natural settings, not to interrupt their lives or manipulate their surroundings. Negative practices, although they may yield impressive looking results, could physically harm the animals, cause them to abandon feeding locations and young, or become dangerously habituated to humans. There is definitely a right and wrong way to go about wildlife photography, and in this journal I will address both.

:bulletred: The Wrong Way - There are many types of unethical things some photographers do in order to get the shot they want. I will list some of the most common unethical behavior I have seen and heard about.

1. Intentional Spooking - By far the most common unethical behavior I have seen in the field is intentional spooking. This is when a photographer intentionally scares an animal out of a location in order to get an action shot, or make the animal move to a more photogenic location. Every time I see this, it infuriates me. Examples I have seen are photographers throwing rocks in the direction of hunting herons to make them fly, honking a car horn under an osprey nest for a flight shot, and running through a tern colony on the beach. Spooking a mammal or bird away from a location can cause it to abandon young or give up on a feeding location. With coyotes in all 50 U.S states, and an abundance of other predators on the hunt, abandoned young don't last very long in nature.

Here is an example of this written by *Iamidaho for inclusion in this journal:

"From about 200 yards away in a small meadow in Yellowstone I saw two photographers, both with professional grade lenses. Curious as to what they had seen I stopped my vehicle and watched through my binoculars.

The photographers were egging something on in the grass just a bit in front of them. Judging by the angles of there lenses the matter of there focus was very close to them, but I could not see what it was. You could see them waving their hands in aggressive mannerisms and hooting and hollering at whatever was just out of sight in the grass.

One of the photographers turned around and left his camera, and began wandering through the brush, only to find a large rock about the size of a small watermelon. He returned to where his camera was and flung the rock in the general direction. It crashed through the brush and stopped just short of where the lenses were pointed. Just than, a young newborn pronghorn antelope burst up and in a frightened panic ran in a confused circle, saw the photographers and in utter fear bolted again. Finally, in a clumsy newborn run, it took off over the ridgeline.

I could not believe what I had just seen.
Likely this behavior lead to the death of the baby. Pronghorns are commanded by their mother to stay still and silent, the mother cleans them religiously to the point they are odorless than she goes and forages for the nutrients needed to nurse the baby. She will return every five hours.
"



Here is one more example, written by *fubecando for this journal:

“ On a very cold, rainy May afternoon, I set out to find some wolves. *Iamidaho had told me about an elk carcass that was in the middle of river that he had seen a wolf eating from a few days prior. After driving around most of Yellowstone to some of the wolf hotspots, I saw nothing, so I decided to give this spot a chance.

The carcass was visible from a pull-off but unless you knew what to look for, you'd miss it. I finally found it and decided to watch the carcass from my car, as animals in Yellowstone are much more accustomed to not worrying about cars. I waiting for close to two hours until I finally saw something.

A large Bald Eagle landed right on the carcass and I had the pleasure of watching and photographing it pick at the rotting, bloated elk for nearly fifteen minutes. It was a brilliant sight to see. One of America's most elegant birds of prey in action.

The event ended very abruptly when a tourist from Utah noticed my white lens sticking out of my window aimed at something. He slammed on his brakes and immediately got out. In his hand was a point and shoot camera. After his first shot, he realized he didn't have near the focal length to get a close shot so he proceeded to walk directly for the bird. When the idiot ran directly for the eagle, the eagle spooked. 


Some may think that its not that big of deal. It was spring and the eagle probably had a lot to eat anyway, right? In the world of nature, there is no guaranteed next meal.

Unethical to the max.”





2. Cornering - Cornering an animal is all too common, and one of the worst things a photographer can possibly do to stress out a wild animal. This is when a photographer gets way too close to an animal and either is so close that the animal is afraid to move, or has cut off all the animal's possible escape routes. Different species of animals have different responses to fear and being cornered. For example, when confronted by a human that gets too close, the northern saw-whet owl’s initial response is to freeze. With this species, photographers who get too close often think they have come upon a “tame bird.” I had the misfortune of seeing a photographer bust out a macro lens and hold it mere inches from a poor saw-whet owl’s eyes. Don’t get too close, and don’t corner an animal.

3. Capturing - Reptiles, amphibians and insects, are small, skittish and difficult to photograph. Some photographers think it is okay to literally capture them, and pose them how they like. This is disrespectful and unethical, as the strain and distress it puts on these creatures is not worth the photograph. Would you trap a wild fox or bird and pose it for some photos? It's the same thing.

4. Feeding - Feeding wildlife or luring them with food in order to get them close enough to photograph is a dangerous and unacceptable practice. Some animals around the country are so used to receiving food from humans that they get dangerously close to campsites and hikers. These habituated creatures are more likely to be struck by cars in human areas, shot by police because of their proximity to people, and many other negative things. Also, an animal that has been habituated to humans is much more likely to strike at a human rather than flee.

5. Dens and Nests - This is a simple one. If you know the location of something like an owl nest or fox den. Enjoy it from a considerable distance and keep the location of it to yourself. The absolute last thing you want is hordes of photographers stressing out the animals.




6. Dishonesty - If your photograph is not of a wild animal, and is of a captive animal at the zoo, say so. Nothing against zoo photographers, because zoo photography does have its purpose, but be honest. The wild animals gallery here on DA is becoming full of zoo animals, and some even claim these animals to be wild. A zoo photography gallery would really help. Also, game farms are awful. Trained animals are greatly mistreated and kept in unbelievably tiny cages. They are transported to natural locations for a photographer with a large checkbook. Some photographers then claim these images of tigers, cougars and other elusive animals to be wild.

7. Exaggeration - Don’t exaggerate your settings or methods. If an animal was very cooperative and didn’t make you work for the shot, don’t say you stalked it for 3 hours and climbed eleven thorny trees barefoot to get the shot. Finally, don’t exaggerate the elusiveness or skittishness of an animal. Don’t say a common and easily approachable animal is seldom seen, and that it was a once in a lifetime chance that you managed to find it. An animal’s rarity does not determine its beauty. As another photographer once told me, although a specific species may be common in your area, it may not be common in others. Appreciate the time you have with any animal, not just the rare ones.




7. Local Laws and Regulations - Most locations have rules and boundaries that dictate where you can and can’t go. Follow them! Also, some locations have rules as to how close you can get to wildlife. These are important also, as the people who made these rules, made them for a reason. Just because no one is looking, doesn’t mean you’re allowed to do whatever you’d like. I know sometimes the, “area beyond this sign is closed” signs throughout our national parks can be frustrating; but remember, they are there for your safety, as well as to protect the wildlife. Remember, the more people that break the rules, the more strict the rules get in following years.

:bulletred: The Right Way - Observe wildlife from a distance. Don’t attempt to interact with, feed, distract, taunt, or spook the animals. Keeping to these rules is much more fulfilling in the long run. You know your photographs aren’t contrived in any way, and the animals in them are going about their business undisturbed. Because distressed animals or animals in retreat look different from undisturbed animals, a keen observer can usually spot an unethical wildlife photograph. In the end, an undisturbed animal in a natural setting will look much better than a captive wild animal or a frightened animal in retreat. The goal of a wildlife photographer is to photograph animals in their nature habitat, capturing their natural behavior. The unethical practices listed above yield the exact opposite.

:bulletyellow: Acknowledgements - Thanks *fubecando, *Iamidaho, =htdcam81, and *Nzeman for giving me their input on the topic and reading this for me before I posted it.

If you'd like to save this, I posted it as a news article here so more could see it - [link]

  • Mood: Optimism

Shoutbox

=StringOfLights:iconStringOfLights:
OMG it's ManholeBoy! Can I have your autograph?
Thu Nov 19, 2009, 8:05 PM
~MythArcana:iconMythArcana:
<°{{{{><
Wed May 13, 2009, 10:51 PM
*flowerluv:iconflowerluv:
LUV, LUV, LUV, LUV to you my dear friend
Mon Mar 30, 2009, 6:32 PM
~apipro:iconapipro:
Nice day
Mon Mar 23, 2009, 10:38 PM
=sleepswithasmile:iconsleepswithasmile:
:wave:
Mon Mar 23, 2009, 2:37 PM

If there was suddenly no more deviantART, the amount of time you spend doing photography would: 

81%
478 deviants said Stay the same, deviantART is not my life.
17%
103 deviants said Dramatically decrease, there would be no one to show my photos to.
2%
9 deviants said I would no longer do photography - - deviantART is my life.

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